Showing posts with label Cannes 2015. Show all posts
Showing posts with label Cannes 2015. Show all posts

They say better late than never and that is why though the cannes lions were announced around 2 months ago, it is still a good time to announce that Kenya finally won its first lion. 
In April, Kenyan agency Creative Y&R unveiled its “Stories from the Congo” campaign for a local newspaper that highlighted the atrocities inflicted on women in a region commonly referred to as “The Rape Capital of the World.”
The powerful and haunting work was awarded a Bronze Lion at the annual Cannes Lions Festival.
To read what Ben Hunt, Creative Director at Creative Y&R Nairobi had to say about this click here



Independent San Francisco-based agency Heat made a big first impression at Cannes this year, winning not only its first Lion but its first eight Lions.
With a team of close to 100, the agency, which says it doesn't typically submit work to costly competitions like Cannes, decided 2015 would be its winning year. The Cannes judges agreed.
Chairman and executive creative director Steve Stone said he knew his agency had a Lions-worthy idea with the EA Sports Madden Giferator. To promote the Madden NFL 15 video game, the Giferator pulled live game footage and created GIF ads in real time. The ads targeted users based on their favorite teams, and the campaign later opened up, allowing football fans to make their own sharable, smack-talking GIFs.
"The idea was we wanted to come up with some sort of tool where millennials could talk to each other, interact, trash-talk and create shareable things that felt relevant to them," Stone said.
The Giferator idea, which started with Heat and was then brought to life with the help of Google Creative Partners and Grow, scored the agency six of its eight lions—two gold, two silver and two bronze. Heat's work on the amusing Madden Season spot below, which stars Dave Franco and Kevin Hart, scored the agency its last two lions—one gold and one silver.


Here's a complete list of Heat's wins:

After eight years at AOL, digital prophet David Shing still knows how to preach the gospel of the future. And so there he was Saturday at the Cannes Lions International Festival of Creativity, talking about code, culture, brands and how to appeal to millennials through ads.
He said Gen Y consumers are "freaky for video." They spend all their time in feeds, meaning news feeds, message feeds and photo feeds. And it's not that they don't like advertising—they don't like bad advertising.
"It's all about content. Nobody wants ads," he said. "And where it becomes fascinating to me is that 70 percent of people would rather read about a brand than be advertised to."
He also discussed how online advertising is getting more sophisticated with multichannel behavioral retargeting. Platforms like AOL are building the ad infrastructure to hit up consumers online as they switch from searching the Web to posting on social media, and as they go from their phones to their desktops. Such channel-based divides once made it difficult for digital advertisers to follow consumers' purchasing habits after viewing ads, but that's changing.
The new technology makes it possible to say, "Hey man, here's those shoes you're checking out, here's turn-by-turn directions to the store and here's a discount," Shingy said.
He delivered his views in a fast-paced motivational speech during the Cannes Lions Innovation portion of the festival. Shingy's talk came over the weekend as the event wound down.


Leica recreates 35 iconic photographs, from Annie Leibovitz's image of John Lennon and Yoko Ono to Robert Doisneau's "The Kiss," in this film celebrating its 100th anniversary.

The Domino's emoji ordering system won a Titanium Grand Prix, while the Re2pect campaign honoring Derek Jeter from Nike's Jordan Brand took an Integrated Grand Prix at Cannes.

Domino's emoji ordering from Crispin Porter & Bogusky, Boulder, Colo., allows people to instantly place orders saved in their accounts with the fast feeder by tweeting a pizza emoji.
Mark Fitzloff, jury president and exec creative director of Wieden & Kennedy, Portland, defended the Domino's campaign in response to a question suggesting it was "quite simple and nothing really special" by saying "We felt really good about awarding an idea that has the potential to really impact a big advertiser's business model." He compared it to Amazon's one-click service.
Mr. Fitzloff was somewhat unqualified to say why Re2pect won, because he was recused from deliberations on work from his own agency. But he said: "I think the nature of it being integrated fell away. People were able to get wrapped up in the story and move seamlessly from execution to execution and not think about kind of a checklist of how it's integrated, and look at how many things it did."



Domino's ordering emoji was deemed to have a big impact on the company's business model.
Domino's ordering emoji was deemed to have a big impact on the company's business model.
 
 
The Re2pect campaign honored retired New York Yankees shortstop Derek Jeter with a series of videos showing such celebrities as Spike Lee and Rudy Giuliani and ordinary folks -- including even purported Boston Red Sox fans -- tipping their caps to the widely respected player.

"The winner of our integrated Grand Prix was really driven off of emotion," said Mark Fitzloff, jury president and exec creative director of Wieden & Kennedy, Portland. "And ironically our Titanium Grand Prix was ultimately very utilitarian, very functional."

Ad Age, by Ann-Christine Diaz
In a move that may spark a welcome sea change in the snooze-worthy arena of pre-roll advertising, the Cannes Lions International Festival of Creativity Film Jury awarded one of its top prizes to a mold-breaker in the category: a spot from Geico's "Unstoppable" campaign that dares viewers to try and stop watching ads in which "nothing" happens. The jury also bestowed the honor on a beautiful Leica film that brought life and historic weight to the challenged field of photography, while the Film Craft jurors gave the category's top prize to John Lewis' heart-tugging Christmas ad starring a boy and his pet penguin Monty.
What won:

Geico topped the Non-Television category. Its pre-roll, "Family," created by The Martin Agency and directed by Park Pictures' Terri Timely, put a hilarious twist on the typically boring genre and features a family sitting at the dinner table with the Geico logo plastered boldly in the middle of the frame. Seconds into the ad, a voice-over announces, "You can't skip this Geico ad because it's already over," and mid-action, the family stops, except for the dog, who proceeds to devour every bit of food on the table. Although nothing much happens beyond that, the ad gets progressively funnier since it's blatantly obvious that the actors in the scene are simply holding their poses as the dog carries on. (See long version here, ironically, following a pre-roll.)
continue to adage.

618Ad tech company xAd,  has been monitoring social media around the #CannesLions hashtag and, as you might expect, ad-tecchie companies have received most mentions.
Google is top with 7704 tweets followed by Facebook, Apple, Snapchat and so on.
The “hottest media and advertising topics” were ad tech with 2055 tweets, followed by storytelling, mobile advertising and programmatic (460 tweets)


But go to agencies and you find this:
Top 5 agency mentions
1. Ogilvy (28084 tweets)
2. WPP (1606 tweets)
3. Havas (1173 tweets)
4. McCann (1142 tweets)
5. Saatchi & Saatchi (613 tweets)
Surely some mistake? Now Ogilvy has been the best-performing network at Cannes for the last three years (it’s rumoured to have spent many millions over the period aiming to be just that) and seems to have garnered a rich haul of Lions this year (although no Grand Prix so far).

Street addresses, locations, deliveries, finding people… ultimately one of the hardest things to do on a global scale, it has no similar foundation or working order… apart from pure GEO targeted Lat/Long codes that humans can’t understand!
So, What3Words have created a universal 3 meter X 3 meter global map of the entire earth, giving each 3x3m square on the planet, 3 unique words (53 trillion of them to be precise). This platform, app and ultimately API, will potentially revolutionise the way things are delivered and connected around the world, becoming particularly innovative in the developing world.
The Innovation jury at the Cannes Lions festival tonight handed out its Grand Prix to a fascinating effort which, when adopted, could ease costly, frustrating, growth-limiting and even life-threatening problems in areas that are poorly addressed. . Simply Brilliant.


Ogilvy & Mather London won a Gold and Bronze Award at the Cannes Lions for its powerful and heavily criticised campaign 2015 initiative, 'It Happens here', for anti female genital mutilation (FGM) charity, 28 Too Many, which centred on ending violence against women in the form of FGM.
Ogilvy and Mather London created the advertisements to raise awareness about FGM – a crime where a girl or woman’s genitalia is cut for ‘cultural reasons’ – back in April, on behalf of anti-FGM charity 28 Too Many.
The creative used bold imagery of six European national flags that have been mutilated and savagely stitched back together to raise awareness that, contrary to public perception, FGM is widely practiced across Europe, with hundreds of thousands of girls currently at risk.

A message printed on the flag reads: "Female genital mutilation doesn't only happen in far away places. Over 50,000 girls in the UK are at risk."

Nimko Ali, who co-founded anti-FGM charity Daughters of Eve, said: “I’m shocked they won the award. [The flags are] disgusting.
“It’s so graphic and we have worked so hard to get the conversation about seeing [FGM] as violence against women and girls, and we need to work within that framework.
“We’re trying not to stigmatise and traumatise girls but this ad does."
Ali, who underwent FGM as a child, added: “I shook when I saw it. It depicts the most invasive form of FGM and it’s what I had.
“I think there are girls out there who will see it and feel the same way. It won’t help them.”
The End FGM European Network agreed that the ‘It Happens Here’ campaign could stigmatise FGM and was not helpful to survivors.
A spokesperson told Telegraph Wonder Women: “We need campaigns which encourage a discussion around the fact that FGM is a reality in Europe and across the world.
“Using images which empower and enhance the dignity of survivors and those at risk is vital to this discussion. Stigmatising imagery can alienate affected communities even more and we need to ensure that they are central to ending FGM.”
Cheryl Giovannoni, chief executive officer of Ogilvy and Mather London, responded saying: "It Happens Here is designed to be a hard-hitting and provocative campaign to raise awareness of the horrific abuse suffered by hundreds of thousands of girls every year.
"The bold imagery is intended to shock and reach an audience typically unaware of the issues of FGM. The response to this campaign has been overwhelmingly positive and we hope it continues to raise awareness, and support 28 Too Many in their efforts to end female genital mutilation once and for all."
The charity 28 Too Many was unavailable for comment, but Dr Ann-Marie Wilson, executive director, previously spoke about the campaign, saying:
“FGM is not just being performed in Africa, the Middle East and Asia but is taking place here, in Europe, on our very own door steps.
"This emotive campaign visually encompasses the concept that FGM is not an out of sight, out of mind problem but at present a risk to over 60,000 girls in the UK.”


Snapchat keeps growing its services for brands. The mobile app has introduced a new form of advertising dubbed 3V, and has also created a new content agency for brand advertising.
As Snapchat CEO and founder Evan Spiegel explains in a video, the 3V title stands for vertical video views. This advertising format is aptly delivered as videos only, to be viewed on mobile devices in a full-screen format to ensure 100% viewability. Spiegel notes 3V advertisements will be nestled among the premium content created by brand partners on its Discover platform (similar to its Two Pennies ad format), as well as Snapchat’s own curated content.
In addition to its new ad format, Snapchat has also partnered with the Daily Mail and public relations company WPP to launch a new digital content agency called Truffle Pig. Named for the type of animal which seeks out the rare fungus prized as a delicacy, the goal of Truffle Pig is to provide advertisers with a comprehensive marketing package, including media planning, content marketing, positioning and branding, audience development, and (most importantly) thorough data analytics.
Truffle Pig will test initial content on Snapchat, the Daily Mail, and the Mail’s sibling site Elite Daily, but won’t be restricted to just those platforms. The agency will utilize Snapchat’s 3V production studio in Los Angeles, and be equally owned by Snapchat, Daily Mail, and WPP.
These new initiatives on Snapchat’s part only contribute to the mobile app’s ever-growing popularity and growth. The app recently hired Sean Mills and Marcus Wiley to oversee the development of original content. And earlier this month, Snapchat was reportedly seeking another $650 million for a total valuation of $16 billion.
Spiegel claims in the 3V advertising introduction video that more people watch video on Snapchat than on any other mobile platform. He says 100 million active users view more than 2 billion videos every day.
Passengers and crew walk with their luggage outside of Charles de Gaulle airport near Paris.
On Thursday at this year's Cannes Lions International Festival of Creativity, the cocktail-party chatter was dominated by the French taxi strike -- with some variation on the question "How the hell can we get out of here?" being asked by many attendees.
In Cannes, where most festival panels, parties and hotels are in walking distance of each other, the issue wasn't getting around during the event, but what to do post-Cannes.

Background: French taxi drivers are blisteringly angry that Uber is disrupting their business, so they planned their own rather theatrical disruption: a day of protests, starting Thursday morning, that not only idled taxis nationwide, but provided camera-ready images of blocked roads, burning tires and smashed car windows. Rocker Courtney Love, who was visiting Paris, tweeted about an attack on her Uber ride: "they've ambushed our car and are holding our driver hostage. they're beating the cars with metal bats. this is France?? I'm safer in Baghdad." (She later updated: "Paid some guys on motorcycles to sneak us out, got chased by a mob of taxi drivers who threw rocks, passed two police and they did nothing").

Read More: http://adage.com/article/madisonvine-case-study/uber-a-dirty-word-france-taxi-strike-snarls-cannes/299240/

Brands know they want to be on Twitter, but they don't always know what to say. That's where Twitter's Ross Hoffman and his team come in.
Hoffman, Twitter's director of global brand strategy, helps advertisers plan big missions on the platform. The brand strategy team puts in months of groundwork for precision campaigns that are then executed in short order. What looks like a real-time marketing effort is often the result of long-term, painstaking work.
The social media tactician was at Cannes to get working on the rest of the year, thinking ahead to back to school, holiday shopping and next year's car models.
"Our mission here is to meet with our largest brand and agency partners for the week to talk about the second half of the year and talk about 2016 to get as upstream as possible," Hoffman said, speaking on the patio of the company's temporary offices overlooking the Croisette—a little slice of Twitter San Francisco in the French Riviera.
Hoffman offered his take on how Twitter can get brands to fire across all its varied channels. Twitter now has multiple video avenues with Vine, Periscope and autoplay formats. It also has a new creative agency it acquired called Niche, which is a platform for Web celebs, artists and creators to match with brands and collaborate on marketing.
With so many options, the question of how best to use all of them while figuring out what to actually say can be a daunting challenge.
"They understand that they want to be on the platform but having the content strategy is something they look to us for," Hoffman said.
Brands say: "This is your product. Help us out."
The content is one component and the technology is the other. Twitter's data capabilities are becoming more sophisticated, which is something that can actually inform the creative. It's one thing to create one message and tweet it to everyone, it's another to create 100 different messages for every type of consumer, personalizing the ads.
"We call it personalization at scale," Hoffman said.



If you were a brand, what brand would you be?"
Monica Lewinsky asked during her talk at the Cannes International Festival of Creativity on Thursday, noting that she was a brand in major crisis back in the late '90s -- one from which she almost didn't bounce back.
She won a standing ovation from the creative elite at Cannes Lions after telling them in emotional speech to join her mission to ensure “public shaming as a blood sport must stop.”
Lewinsky appeared at the festival Thursday to deliver the Ogilvy & Inspire keynote speech.
She told the crowd, “Like me, at 22, a few of you may also have taken wrong turns and fallen in love with the wrong person, maybe even your boss … Unlike me, though, your boss probably wasn’t the president of the United States of America.
“Not a day goes by that I am not reminded of my mistake, and I regret that mistake deeply. In 1998 after having been swept up into an improbable romance,  I was then swept up into a political, legal and media maelstrom, that we had never seen before.
Ms. Lewinsky said that her affair in 1998 with then-president Bill Clinton sealed her fate as "patient zero," the first person to be publicly shamed and ostracized online on a massive, global scale. This scandal, she said, was "brought to you by the digital revolution."
In a speech that echoed much of her recent TED talk, Lewinsky, 41, went on to describe how “I was branded as a tart, slut, whore, bimbo, floozy and of course ‘that woman,’ I was seen by many but truly known by few … It was hard to remember ‘that woman’ had a soul and was once unbroken.
“In 1998 I lost my reputation and my dignity, I lost almost everything, and I almost lost my life.”

“There were moments for me when it seemed like suicide was the only way to end the ridicule … because of the headlines, my parents knew what I was going through, there was no mistaking it and no escaping it,” she said, “Today, too many parents have learned of their child’s suffering after it is too late.”
Much of her talk was dedicated to calling for the end of cyberbullying and publicly shaming people, but she also talked about how scandals and public shame have launched an industry, and how the ad world plays a role.

"How is the money made?" she asked. "Clicks. The more shame, the more clicks. The more clicks, the more advertising dollars. And the more advertising dollars... the more of what sells: shame."

Ms. Lewinsky was quick to add, "This is not an indictment of advertising dollars. I'm sure we can all agree that there's nothing wrong with advertising dollars... But I believe we can also agree there are boundaries where profit halts and social responsibility steps in."

We're in a dangerous cycle, she said. "The more we click on this kind of gossip, the more numb we get to the human life behind it. And the more numb we get, the more we click. All the while, someone is making money off of the back of another suffering." We are all co-creating the content collectively by our clicking behavior, she said -- we are all the editors of new media.
Ms. Lewinsky brought advertising into play, saying brands can play a role in creating a more compassionate world, one that rejects shaming. "Building a more compassionate society is going to be a bilateral exercise between individuals and the brands that represent their aspirations, their values and their truths. People make brands. If people are compassionate, brands will be compassionate in return."
"We can change our behavior….we can together make a society where the sometimes distancing effect of technology doesn't remove our fundamental humanity."

She concluded, “We can lead each other to a more compassionate, more empowered place, we can help change our behavior, we can all learn from mistakes … and we can together make a society where the sometimes distancing of technology does not remove our humanity.
“You are the creative engines that will drive forward our culture. Will you help me?”


Google made a bid this year at Cannes to get advertisers to help provide a counter narrative to terrorist propaganda online raising huge questions for the industry.

Screen Shot 2015-06-25 at 14.26.31 "Isis is not only imitating social and digital marketing strategies used by brands, the organisation is selling state-branded goods."

YouTube is still receiving beheading videos on a weekly basis from Isis. While these aren’t getting reported in the media, they show that brutality and the pernicious rhetoric of hate online is as robust as ever. A study by US researchers at the Brookings Institution found more than 46,000 active Twitter accounts supporting Islamic State in a two-month period. And as soon as one account is closed down, more appear.
Google made a bid this year at Cannes to get advertisers to help provide a counter narrative to terrorist propaganda online. Google director of policy strategy Victoria Grand said: "Isis having a viral moment on social media and countervailing viewpoints are nowhere near strong enough to oppose them." She and Google’s chief legal officer David Drummond urged advertisers to help to combat Isis’ deft command of social media. "Advertisers are the most gifted storytellers out there. As storytellers, all of us have a responsibility to start countering these voices," said Drummond.
Isis is not only imitating social and digital marketing strategies used by brands, the organisation is selling state-branded goods, from babywear to wedding rings. Google has ramped up surveillance of services like YouTube and Gmail in response to Isis' recent huge online push to raise its profile and convert new members.

Read the full article: How brands can engage Gen Z to combat terrorism
The Cannes Lions International Festival of Creativity Grand Prix winner for mobile at Cannes this year was not a campaign about a mobile device, or a campaign executed on mobile devices. It was one the jury called an "enabler"-- a winner that itself facilitated multiple campaigns that were also hoping to take home the Grand Prix.


Google took the top prize for the mobile category for Cardboard, its inexpensive virtual-reality reader made out of cardboard, and it won without the help of any of its numerous agency partners.

Joanna Monteiro, VP-creative director at FCB Brazil and mobile jury president, said that Cardboard won because it enabled a type of technology that was low-cost and widely available. Consumers can build the virtual-reality reader themselves, or purchase it for a few dollars compared to other VR devices with price tags reaching several hundred dollars. Cardboard gave "mobile new possibilities to really change behavior and have a huge impact on consumer life," she said.

Google Expeditions
As an enabler it was only a matter of time, but now even teachers around the world can take their students on Virtual Reality field trips to amplify their studies thanks to Google Expeditions. It’s an evolution of Google Cardboard, that has a central tablet that powers the tour and automatically syncs each Google Cardboard VR set, so that each individual child is experiencing the VR tour at the same time, allowing for a next level learning experience just about anywhere! Very cool.


Kim Kardashian West does Instagram her way, and that means no paid promotions and admittedly too many bikini shots.
"But it's what I want and what I put out," Kardashian said of how she curates her photo stream. She was speaking in front of an intimate audience at the Cannes International Festival of Creativity.
This was Kardashian's first time at the annual creative gathering in the south of France, and she spoke about her autobiographical mobile game social media habits and how to cultivate a brand, about which the self-made celebrity is an expert.
 
The game, Kim Kardashian: Hollywood, was a surprise hit this year, and now has a million daily players with tie-ins to her reality show and real life. Her husband, musical artist Kayne West, nudged her toward the initiative with video game maker Glu Mobile.
"I thank Kanye every day for making me do that deal," Kardashian said.
The game is an obsession for some, and she envisions more chances for brands to promote to girl gamers, for whom Kardashian is now an unlikely role model and a rare feminist voice in the male-dominated genre.
The game, which simulates rising through the ranks of stardom, keeps pushing out updates. Soon, her glam team will make a virtual appearance, opening new branding potential, Kardashian said.
"It helps with great opportunities for brands, hair care lines or makeup lines, that want some involvement, because that's something the player really enjoys learning about," she said.
Kardashian also talked about her social media obsession and admitted occasionally reaching out to Twitter or Instagram to offer advice. She even pushed Instagram CEO Kevin Systrom to allow editing on posts because she kept making typos.
"I'm not saying it's because of me, but it happened," she said, recalling the app change that eventually rolled out.
She used to just repurpose Instagram photos for Twitter, but the micro-messaging company approached her with a lesson in best practices. Twitter told her, "People don't really click on your links as much" as they do photos taken directly in Twitter.
She said her Instagram feed is off limits, a no-promo zone. If she does take photos with a product it's not because she gets paid, she said.
"I know a lot of my brands might get frustrated that I don't promote maybe as much as they would like, but I only do it if it's authentic," she said.
Kardashian opened her talk with a personal experience at Cannes. She was awoken in the middle of the night by a naked woman trying to get into her room using a credit card as a key.
It seemed to be an honest if not drunken mistake, and yes Kardashian got it on video but said she would not be posting that one to Twitter.
Vodafone Red Light , a mobile phone app for women living in unsafe domestic situations,  won the Media Grand Prix award at the Cannes Lions Festival of Creativity. Vodafone worked with Y&R Team Red, Istanbul to create an app that when shaken would alert a message and location to three contacts, requesting assistance.
The challenge when it came to marketing the app was how to do so without attracting the attention of men. This challenge was tackled by embedding the app advertising deep within content, intentionally designed to be so gender-specific that men never reach the hidden message. The presenter of the show would slip in the product pitch and advised the audience to share the information with fellow women.
More than 250,000 women have downloaded the app, which constitutes 24 percent of all women in Turkey who use smartphones. To date, it has been activated over 103,000 times.


 BBDO India Takes Top Award in New Gender-Neutral Category

A campaign for Procter & Gamble's sanitary protection brand
Whisper from India has won the inaugural Glass Lion Grand Prix at
Cannes, in the Festival's new gender-equality category.

In India, menstruation is treated like a shameful curse, and women
are discouraged from pursuing normal daily activities during their periods, including touching the jar of pickles found in the kitchen of
most Indian homes, because the pickles will supposedly rot. The ground-breaking film by the Mumbai office of BBDO India for Procter & Gamble's Whisper encourages women to defy tradition and taboos by touching the pickle jar. An active teenage girl courageously touches a
pickle jar and proclaims "I touched the pickle jar" as other women applaud. A voiceover urges: "Girls, let's make the taboos go away and touch the pickle jar."

The campaign went viral as more than 2.9 million women pledged to "touch the pickle jar" and Whisper's share of voice grew from 21% to 91% in its category. It created a conversation in India that ranged from a TedX Bangalore talk to the endorsement of a leading Bollywood actress.